Review: Brother Knows Best (Lawless)

When times are increasingly desperate, men of violence rule. The Bondurant brothers are such men. Forrest (Tom Hardy) and Howard (Jason Clarke) are chief bootleggers in the wettest county in the union. Practically everyone in Franklin is on the take from the moonshine trade: sheriffs, owners, and church-going folk alike. From churches to nightclubs these outlaws go untouched. The boys are legend and believed to be immortal, worse, they believe the tales about themselves.

Jack (Shia LaBeouf) is the black sheep of this backwoods flock. He does not possess the size of his brothers, nor the brutality. When a spiffy, special agent from Chicago comes down to enforce a new law, the Bondurants are forced to make up for their brother's inefficiencies.

Brutality is not new to the Bondurants, but what Special Agent Rakes (a deranged Guy Pearce) presents is remarkable cruelty. He is a gloved poke right in the center of Forrest's chest. The Bondurants can be touched, he implies, and they can also bleed. Other outside elements like Mad Dog Floyd Banner (Gary Oldman) also pose a danger.

Nick Cave and John Hillcoat's previous collaboration, The Proposition, was a gripping and utterly violent film that saw a revisioning of the West. Lawless proves to be just as violent, but more poetic in its implementation. Shots of the South offer a spectacular canvas for showdowns between the perpetually mumbling Tom Hardy and the associates of Rakes. The legend of the Bondurants will be tested and their way of life may die in the process.

In many ways, Lawless presents a parallel to The Godfather. Three brothers vying to create a lasting legacy: the ambitious Jack, the loose-cannon that is Howard and the stoic guardian, Forrest. One of the faults with Lawless is that the corrupted soul at the center is not portrayed by Al Pacino, rather Shia LaBeouf. The faults that many see with LaBeouf's acting may actually be the arrogance and naivete of Jack. Does he have the strengths of Tom Hardy, Guy Pearce or an always excellent Jessica Chastain? No, but he is evolving past his turns in Transformers.

While the ambitions of Lawless don't always pay off, it is an admirable effort for John Hillcoat. The stumbles are few and more than made up for with the performances of Tom Hardy and Jessica Chastain. Their scenes together are a highlight of humor in a film that wouldn't be thought of as cheery.

Still, the real draw of Lawless is of course, the criminal element, when the adrenaline throttle is shifted into gear, the film is at its finest.

***/****

The Best of the Decade

Over the last ten years, the cinema has given us a great deal to be thankful for: a rebirth of the Batman franchise, a series of examinations of what it means to live in this particular decade, and a mass of character studies whether they be animated or popcorn thrillers. As much as I have enjoyed the offerings, a list must be culled together for the end of the year. Except this year is different, this year ten films must be selected from hundreds. Below are some of the best of the aughts. Enjoy! 10) There Will Be Blood Paul Thomas Anderson's magnum opus, a scathing look at extremism in America and the evils of greed and profiteering from religion. It also features the best performance of the decade with Daniel Day-Lewis as oil-man Daniel Plainview. 9) Up A beautiful tale that entrances all ages, Up managed to captivate children and tell a tale that adults cherish as well. 8) The Dark Knight Maybe just a comic book film, but it is the best comic book film

Paprika vs. Inception

Months before Inception hit the theaters forums were alive with rumors that Christopher Nolan either accidentally or intentionally stole some details from another film, the Japanese anime Paprika. The biggest point of comparison for some bloggers and forum runners was the fact that both of the films featured a device that allowed a person, or people, to travel into another’s dreams and delve into their subconscious. Minor points of comparison include scenes in Paprika where the character Paprika breaks through a mirrored wall by holding her hand to it, as well as a scene where a police detective falls his way down a hallway. Claims have been made that Inception abounds with imagery similar to or exactly like the anime movie, but with the recent release of the film on DVD and Blu-Ray, and with Paprika available for several years now, an examination of the two plots can be made more fully. Let us begin with the primary claim— Inception stole the idea of a dream

Armond White's Top Ten Films on Flickchart

Armond White is film criticism’s most famous contrarian. At one moment he writes a review declaring Toy Story 3 to be the most obscene excuse for toy commercials he has ever watched, and then two weeks later types out a glowing review of Resident Evil: Afterlife . He is of split-mind for sure. But what does his Flickchart look like? Read the rest at Flickchart !

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